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  <id>http://groups.google.ch/group/comp.music.research</id>
  <title type="text">comp.music.research Google Group</title>
  <subtitle type="text">
  The use of Computers in Music Research and Composition. (Moderated)
  </subtitle>
  <link href="/group/comp.music.research/feed/atom_v1_0_msgs.xml" rel="self" title="comp.music.research feed"/>
  <updated>2009-12-18T19:54:05Z</updated>
  <generator uri="http://groups.google.ch" version="1.99">Google Groups</generator>
  <entry>
  <author>
  <name>GabrielG1976</name>
  <email>gabrielg1...@gmail.com</email>
  </author>
  <updated>2009-12-18T19:54:05Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/53d2a85031c9ddcd/e15d798a7592d282?show_docid=e15d798a7592d282</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/53d2a85031c9ddcd/e15d798a7592d282?show_docid=e15d798a7592d282"/>
  <title type="text">Screencast for creating text2music compositions</title>
  <summary type="html" xml:space="preserve">
  I have just released a screencast to show my new text2music standalone &lt;br&gt; app UI in action.. like to hear what people think of it.. &lt;br&gt; &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://www.viddler.com/explore/gabrielg1976/videos/7/&quot;&gt;[link]&lt;/a&gt; &lt;br&gt; thanks Gabriel G
  </summary>
  </entry>
  <entry>
  <author>
  <email>andrew.holb...@suddenlink.net</email>
  </author>
  <updated>2008-10-18T08:05:36Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/3486ddc8ce96cc5e/7b0e82199a983daf?show_docid=7b0e82199a983daf</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/3486ddc8ce96cc5e/7b0e82199a983daf?show_docid=7b0e82199a983daf"/>
  <title type="text">alongside Dance Hits potentially</title>
  <summary type="html" xml:space="preserve">
  &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://die.bachaan.org&quot;&gt;[link]&lt;/a&gt;
  </summary>
  </entry>
  <entry>
  <author>
  <email>ralph.clo...@aol.com</email>
  </author>
  <updated>2008-09-28T04:55:40Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/e4df72a4bdb40fe9/a07bf95f9aa0d009?show_docid=a07bf95f9aa0d009</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/e4df72a4bdb40fe9/a07bf95f9aa0d009?show_docid=a07bf95f9aa0d009"/>
  <title type="text">I&#39;m engaged</title>
  <summary type="html" xml:space="preserve">
  &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://prepare.bharattv.org&quot;&gt;[link]&lt;/a&gt;
  </summary>
  </entry>
  <entry>
  <author>
  <name>SODDI the FluffyWuffkins</name>
  <email>n...@void.net</email>
  </author>
  <updated>2008-04-03T16:47:08Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/7e4b029d93d5f0d3/5d2a58584c4957e1?show_docid=5d2a58584c4957e1</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/7e4b029d93d5f0d3/5d2a58584c4957e1?show_docid=5d2a58584c4957e1"/>
  <title type="text">Re: [ANN] GranuLab update</title>
  <summary type="html" xml:space="preserve">
  Thank you VERY MUCH, Mr. Ekmun. &lt;br&gt; For those of you who&#39;ve never used GranuLab, it is an absolutely &lt;br&gt; wonderful &lt;br&gt; granular synthesis program. &lt;br&gt; It&#39;s not like any other granular proggie I&#39;ve used. I use it to &lt;br&gt; generate &lt;br&gt; unusual texures, uber-crunchy material for percussion and other &lt;br&gt; BADWEIRDNESS. &lt;br&gt; It allows you to control the parameters of the grains with more depth
  </summary>
  </entry>
  <entry>
  <author>
  <name>rasmus</name>
  <email>r...@nospam.se</email>
  </author>
  <updated>2008-04-02T14:21:33Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/7e4b029d93d5f0d3/b5bc4201143ea1c5?show_docid=b5bc4201143ea1c5</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/7e4b029d93d5f0d3/b5bc4201143ea1c5?show_docid=b5bc4201143ea1c5"/>
  <title type="text">[ANN] GranuLab update</title>
  <summary type="html" xml:space="preserve">
  Granny, an old Windows program for realtime granular sampling, has &lt;br&gt; seen a fairly nice update. &lt;br&gt; If you tried it sometime, or haven&#39;t yet, do check it out at &lt;br&gt; &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://hem.passagen.se/rasmuse/Granny.htm&quot;&gt;[link]&lt;/a&gt; &lt;br&gt; News: &lt;br&gt; * Good interpolation of sounds (6-point spline). &lt;br&gt; Timestretch 2-10-100 times, or downpitch 1-2-10 octaves, almost
  </summary>
  </entry>
  <entry>
  <author>
  <email>ophe...@comp.music.research</email>
  </author>
  <updated>2007-07-23T23:15:26Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/500c19a007bc76c5/63885fd4add0e64e?show_docid=63885fd4add0e64e</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/500c19a007bc76c5/63885fd4add0e64e?show_docid=63885fd4add0e64e"/>
  <title type="text">open letter to comp.music.research readers</title>
  <summary type="html" xml:space="preserve">
  -----BEGIN PGP SIGNED MESSAGE----- &lt;br&gt; That is &lt;br&gt; how she interprets the language of the bill. &lt;br&gt; Wow. &lt;br&gt; And I thought Ed Meese was a bad Attorney General. Meese had written &lt;br&gt; to companies like the owners of 7-11 and told them selling Playboy and &lt;br&gt; Penthouse could get them Federal obscenity charges. That was his attempt
  </summary>
  </entry>
  <entry>
  <author>
  <name>Wendell III</name>
  <email>wendell....@gmail.com</email>
  </author>
  <updated>2007-05-04T17:40:46Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/a6fc20af50120545/7e391a51ac09f41f?show_docid=7e391a51ac09f41f</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/a6fc20af50120545/7e391a51ac09f41f?show_docid=7e391a51ac09f41f"/>
  <title type="text">SuperCollider Book?</title>
  <summary type="html" xml:space="preserve">
  Hey all, &lt;br&gt; Was any sort of book ever published on SuperCollider programming? &lt;br&gt; Thanks, &lt;br&gt; -Wendell
  </summary>
  </entry>
  <entry>
  <author>
  <name>Computer History Museum</name>
  <email>ev...@computerhistory.org</email>
  </author>
  <updated>2007-04-18T13:46:17Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/d11f9df3d0ca1858/e32e4c81c9504406?show_docid=e32e4c81c9504406</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/d11f9df3d0ca1858/e32e4c81c9504406?show_docid=e32e4c81c9504406"/>
  <title type="text">CCRMA &amp; CHM Present: A Celebration of Max Mathews and 50 Years of Computer Music, April 29</title>
  <summary type="html" xml:space="preserve">
  CCRMA and CHM Present &lt;br&gt; ìA Celebration of Max Mathews and 50 Years of Computer Musicî &lt;br&gt; Fifty years ago, in 1957, at Bell Telephone &lt;br&gt; Laboratories, Max Mathews demonstrated that the &lt;br&gt; digital computer can be used as a fantastic new &lt;br&gt; musical instrument. He created a revolutionary &lt;br&gt; software platform destined to form the basis of
  </summary>
  </entry>
  <entry>
  <author>
  <name>Peter S. Gross</name>
  <email>woodw...@optonline.net</email>
  </author>
  <updated>2007-04-18T13:45:39Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/33bf507eb22fdbd1/d82673dd2a49a056?show_docid=d82673dd2a49a056</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/33bf507eb22fdbd1/d82673dd2a49a056?show_docid=d82673dd2a49a056"/>
  <title type="text">sostenuto ped. marking</title>
  <summary type="html" xml:space="preserve">
  Can anyone recommend or, better yet, provide (something that can be imported &lt;br&gt; into Finale) an appropriate symbol for using the sostenuto pedal on the &lt;br&gt; piano. I could swear i once saw a Sost. symbol that used the same font as the &lt;br&gt; standard Ped. &lt;br&gt; thanks &lt;br&gt; psg &lt;br&gt; &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://www.solmise.com&quot;&gt;[link]&lt;/a&gt;
  </summary>
  </entry>
  <entry>
  <author>
  <name>Steve Layton</name>
  <email>dal...@speakeasy.net</email>
  </author>
  <updated>2007-02-15T13:03:56Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/521790e756ea1f05?show_docid=521790e756ea1f05</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/521790e756ea1f05?show_docid=521790e756ea1f05"/>
  <title type="text">Re: Ancient Greek Music Theory</title>
  <summary type="html" xml:space="preserve">
  Nancy Sultan made this bibliography: &lt;br&gt; &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://titan.iwu.edu/~classics/music.html&quot;&gt;[link]&lt;/a&gt; &lt;br&gt; The stuff on there that I&#39;ve read (like the Comotti), while good, &lt;br&gt; still leaves me unsatisfied. But that&#39;s not so much the fault of the &lt;br&gt; writers as it is the impossibility of ever recovering much of a solid &lt;br&gt; picture of what this music truly was.
  </summary>
  </entry>
  <entry>
  <author>
  <name>Steve Layton</name>
  <email>dal...@speakeasy.net</email>
  </author>
  <updated>2007-02-15T13:03:18Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/ebe61c55572cd540?show_docid=ebe61c55572cd540</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/ebe61c55572cd540?show_docid=ebe61c55572cd540"/>
  <title type="text">Re: Ancient Greek Music Theory</title>
  <summary type="html" xml:space="preserve">
  Nancy Sultan made this bibliography: &lt;br&gt; &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://titan.iwu.edu/~classics/music.html&quot;&gt;[link]&lt;/a&gt; &lt;br&gt; The stuff on there that I&#39;ve read (like the Comotti), while good, &lt;br&gt; still leaves me unsatisfied. But that&#39;s not so much the fault of the &lt;br&gt; writers as it is the impossibility of ever recovering much of a solid &lt;br&gt; picture of what this music truly was.
  </summary>
  </entry>
  <entry>
  <author>
  <name>Roland Hutchinson</name>
  <email>my.spamt...@verizon.net</email>
  </author>
  <updated>2007-02-14T18:22:30Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/73056e728aaad5a4?show_docid=73056e728aaad5a4</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/73056e728aaad5a4?show_docid=73056e728aaad5a4"/>
  <title type="text">Re: Ancient Greek Music Theory</title>
  <summary type="html" xml:space="preserve">
  There is an extensive literature; as you undoubtedly know (or, if you do &lt;br&gt; not, as a glance at New Grove, Wikipedia, or any undergraduate music &lt;br&gt; history textbook would have told you), this has been the subject of &lt;br&gt; extensive historical research for most of the past millennium. &lt;br&gt; You don&#39;t say what sources you have discovered so far, so it&#39;s a little hard
  </summary>
  </entry>
  <entry>
  <author>
  <name>Arthur Ness</name>
  <email>arthurjn...@verizon.net</email>
  </author>
  <updated>2007-02-14T18:09:46Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/514e2bb55c2a6aa2?show_docid=514e2bb55c2a6aa2</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/514e2bb55c2a6aa2?show_docid=514e2bb55c2a6aa2"/>
  <title type="text">Re: Ancient Greek Music Theory</title>
  <summary type="html" xml:space="preserve">
  Certainly you&#39;d want to examine Thomas Mathiesen&#39;s award winning study (800 &lt;br&gt; pages), _Apollo&#39;s Lyre: Greek Music and Music Theory inAntiquity and the &lt;br&gt; Middle Ages._ It rec&#39;d the Deems Taylor Award from ASCAP, the Kinkeldey &lt;br&gt; Award from the AMS and the Berry &lt;br&gt; Award from SMT. &lt;br&gt; ajn &lt;br&gt; ============================== =========================
  </summary>
  </entry>
  <entry>
  <author>
  <name>Jens Rodrigo</name>
  <email>jens.rodr...@gmail.com</email>
  </author>
  <updated>2007-02-14T18:09:07Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/768baac037ab0ae1?show_docid=768baac037ab0ae1</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/768baac037ab0ae1?show_docid=768baac037ab0ae1"/>
  <title type="text">Re: Ancient Greek Music Theory</title>
  <summary type="html" xml:space="preserve">
  This really may help: &lt;br&gt; &lt;a target=&quot;_blank&quot; rel=nofollow href=&quot;http://www.scirus.com/srsapp/search?q=Ancient+Greek+music+theory&amp;t=all&quot;&gt;[link]&lt;/a&gt; &lt;br&gt; Cheers Jens
  </summary>
  </entry>
  <entry>
  <author>
  <name>Jen Grier</name>
  <email>stjl...@moravian.edu</email>
  </author>
  <updated>2007-02-14T15:20:13Z</updated>
  <id>http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/aadbf8930d25391c?show_docid=aadbf8930d25391c</id>
  <link href="http://groups.google.ch/group/comp.music.research/browse_thread/thread/e8f755c3fa54ed0e/aadbf8930d25391c?show_docid=aadbf8930d25391c"/>
  <title type="text">Ancient Greek Music Theory</title>
  <summary type="html" xml:space="preserve">
  Hello Musicians, Composers, Fellow Students, and Musicologists, &lt;br&gt; I&#39;m an undergrad student studying ancient Greek music theory in depth for &lt;br&gt; application to a contemporary performance. &lt;br&gt; Has anyone written on the subject to a considerable degree? My work is an &lt;br&gt; Honors Project, much akin to an undergraduate thesis of sorts. I&#39;m looking
  </summary>
  </entry>
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