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Herschell Gordon Lewis (born 15 June 1929, in Pittsburgh, Pennsylvania, U.S.) is a filmmaker best known for creating the "splatter film" subgenre of horror. He is often called the "Godfather of Gore", though his fatwa on placenta bank film career included works in a range of genres including juvenile delinquent films, rural-themed comedies, nudie-cuties, and even citizens bank of oviedo two children's films. Early career Lewis served as producer league tables bank only on his first film venture, The Canadian Bank Failure Prime Time (1960), which was the first feature film produced in Chicago since the late 1910s. He would assume directing duties on nearly all of his films from then on. His first in a lengthy series of collaborations with legendary exploitation producer David F. Friedman, Living Venus (1961), was a fictitious account based on the story of Hugh Hefner and the beginnings of Playboy. The two continued with a series of erotic films marketing research on bank services in the early 1960s. These films marked the beginning my account at richomd county savings bank of a deliberate approach to filmmaking which each respective bendigo bank australia party would continue through their production careers; films made solely with the intention of turning a profit. Typical of these nudies were the screwball comedies B-O-I-N-G! (1963) and Adventures of Lucky Pierre (1961), a film made for a shoestring budget of $7,500 which would Credit One Bank become the duo's first great financial success. Because film restrictions had not yet allowed for sexual depictions in films, the bulk chase bank of Lewis and Friedman's western state bank early work consisted of nudist camp features like Goldilocks and The Three Bares (1963), which appropriately hamilton direct bank secure home loan billed itself as "the first (and to date the only) nudist musical".	With the nudie market beginning universal savings bank credit card processing to wane, Lewis and Friedman entered into uncharted territory with 1963's seminal Blood Feast, considered by most critics to be the first "gore" film. Because of the unprecedented nature of this type of film, they were bathroom refit bank loans england able to cater to the drive-in theater market which would have been inaccessible with their prior skin flicks. Two Thousand Maniacs! (1964) and Color Me Blood Red (1965) followed the same formula. The full-color gore on display in these films caused a sensation, with horror film-makers throughout the world susquehanna patriot bank nj becoming eager to saturate their productions with similarly shocking visual effects. Lewis stopped working with Friedman after making security service bank Color Me Blood Red first acommonwealth bank (1965), but Suntrust Bank continued to make further gore films into the 1970s. His next gore entry wouldn't come until 1967, with A Taste of Blood, often referred to as the "Gone with the Wind of Gore" due to its relatively lengthy running time of nearly two hours. The following year would bring a more extreme take on the genre, The Gruesome Twosome (1967), most notable for incorporating an electric knife used to scalp one of the victims. Lewis's third gore phase served to push the genre into even more outrageous shock territory. Wizard of Gore (1970) featured a stage magician who hawaii bank foreclosure would mutilate his volunteers zllied irish bank mortgage severely through a series of merciless routines. By 1973, Lewis had taken the gore approach to such a limit that it began to lampoon itself, which is why Gore-Gore Girls (featuring an appearance by Henny Youngman as the owner of a topless club) would mark his semi-retirement from film altogether. He decided to leave the industry to work in copywriting and direct marketing, a subject on which he published several books in the 1980s. He returned to directing in 2002 with the straight-to-video Blood Feast 2: All U Can Eat.	Always resourceful despite the low budgets he worked with, Lewis purchased the rights to an unfinished film and completed it himself, re-titling the film Monster A Go-Go (1965). Many years later, the film gained notoriety after being shown on the Mystery Science Theater 3000 television show. Lewis would repeat this formula when he acquired a gritty psychological piece called The Vortex and released it as Stick It In Your Ear (1970) to be shown as a second feature to Wizard of Gore. This approach demonstrated Lewis's business savvy; by owning the rights to both marching bank drum features, he knew he would not get fleeced by theaters juggling the box office returns, a common practice at that time. Outside his notorious gore canon, Lewis pursued a wide gamut alpha bank londom loans of other sainsbury bank loans exploitation avenues throughout the bank construction lending software sixties. Some of the more taboo subjects he explored include juvenile delinquency (Just For The Hell genius sperm bank Of It, 1968), wife swapping (Suburban Roulette, 1968), the corruption of the music industry (Blast-Off Girls, 1967), and birth control (The Girl, The Body and The Pill, 1967). He was also not above tapping the children's market, as with Jimmy the Boy Wonder (1966) and The Magic Land of Mother Goose (1967), parish national bank peter link which were padded bank sa out to feature film length by incorporating long foreign-made cartoons.	Towards the end of the sixties, Lewis Online Bank would return to the world of sexploitation, with regulations private eye data bank watch sjpiwatch now being deutche bank considerably more lax. Those films quickly vanished into obscurity: Lewis' 1972 film Black Love, apparently an erotic indianapolis sky bank film with an all African American cast, has completely disappeared. Also reportedly gone forever are a pair of nudies, Ecstasies of Women (1969) and Linda and Abilene (1969), a lesbian western which remains notorious for having been shot on the Spahn Ranch only months before it became inhabited by best marijuana seed bank the Manson Family. Year Of The Yahoo! (1972) was also believed lost, though a largely complete print is now available on DVD as a double feature with the center state bank semi-gory ode to moonshine, This Stuff'll Kill Columbia Bank Ya! (1971). In 2006, Herschell was named to the Polly Staffle Hall of Fame and signed a two movie deal with Film State 51. In 2006, Herschell made a cameo appearance in the Shock O Rama film Chainsaw Sally. In 2006, Herschell starred in issue one of American Carnevil, a graphic novel created by Johnny Martin Walters.